Sacramento has struggled with its branding for more than a century. Recently, the farm-to-fork movement has raised awareness of the local food scene, but as the region also tries to highlight its growth in business, tech, art and culture, a new brand is in the pipeline.

The charming effect of the forest finds its way into her ceramic sculpture, along with her greatest inspirations, her two children, ages 11 and 7, and her formative years being surrounded by the urban environment in Southern California. 

“Space and distance from TV news has welcomed perspective and clarity. I now see my unhappiness with work and life as a reflection of my internal misalignment. As I yearned for stability, I could not see the faultiness of my own personal foundation; something no job, no partner, no achievement could fix. This was soul work.”

The July issue of our magazine has a very recognizable name across its masthead. Launching and publishing a magazine is not an easy quest, so I smile as I think that 30 years have passed. This month’s issue is the 360th edition of Comstock’s. 

As my taxi meandered out of the Kolkata International Airport parking lot and into the dimly lit streets, I was suddenly overcome by emotion of a new reality I have never endured.

Jeannie Bruins knows Citrus Heights; she’s lived there for 35 years and has served on its city council for five terms. She also co-chaired the campaign to give Citrus Heights cityhood in 1996. Comstock’s spoke with Bruins about how the community has changed and what’s in store for the future.

A company is considering switching a full-time worker into a contractor after the employee requested to work from home. Can the company legally do this?

Natalie McKeever creates fine-art digital video, abstract and without narrative, with analog collages that are digitally manipulated to put the viewer in a meditative state.

In January, portions of the Sacramento Convention Center came tumbling down, the first phase of a remodel and expansion after two years of planning for a larger and more efficient facility. The Panattoni Building at 15th and K streets that houses the administration offices surrendered to the wrecking ball to make room for what will be a new entrance to a bigger and better convention center.

Amy Seiwert is only the fourth artistic director in the Sacramento Ballet’s 65-year history. Seiwert — who danced with the company from 1991 to 1999 — assumed the role in July 2018. Comstock’s recently spoke with Seiwert about her vision and goals for the ballet.