Comstock’s goes behind the screens of @FreeArtFridaySacramento to discuss the importance of accessibility in art and what the duo hopes to achieve with the project.
In mid-December, actor and artistic producer Dave Pierini and executive producer Jerry Montoya sat on an empty stage at the original B Street location to talk about their long history with the professional theater company and their vision for the future. Here is an excerpt from their conversation.
Comstock’s caught up with Benwar Shepard to discuss what’s in store for 2018 as he embarks on his Creative Economy parade project, works on a new studio album with the Element Brass Band, and fathers a brand new baby.
The Capital Region has a couple of homegrown video game success stories, but most growth is taking place in its community of indie developers. As the region seeks to brand itself more as a tech hub, these gamers want to ensure their industry is part of the push.
Rob Winkler, CEO of 5th Planet Games in Rocklin, offers his insight into changes in the local game development industry.
There’s a pervasive myth that selling crafts is an easy way to make money, but even savvy entrepreneurs have to play the odds of a mercurial marketplace.
Comstock’s monthly look at the business news in the Capital Region. Here’s some stuff that happened in October.
As a photographer and owner of the Morrison Hotel Gallery with locations in New York, West Hollywood and Maui, Peter Blachley understands how powerful the arts can be. So when he heard about Image Nation, a local photography program to help veterans, he wanted to get involved.
As a child, working in her family’s print shop in Grass Valley, Judith Berliner’s job was to help her father produce custom maps and limited-edition books on the antique machinery. She now works those same presses as owner of Full Circle Press.
Comstock’s monthly look at business news in the Capital Region. Want to know what happened in September? Then read on, my friends.
Comstock’s interviewed artist Marianne Bland about her artistic direction and recently being named the first recipient of the Gloria Burt Sacramento Region Arts Fellowship.
On a sunny August afternoon at Selland’s in East Sacramento, I had the pleasure of sharing some French press coffee with Kevin Rahm. You probably know him as Lee McDermott from Desperate Housewives, Ted Chaough on Mad Men or maybe even as your neighbor.
Miel Apothecary, housed in the old Pedroni’s Pharmacy building constructed in the early 1900s on Broadway and 34th Street in Oak Park, is a potpourri of healing salves, locally-sourced perfumes and vintage clothing.
While many supporters of local music may agree that Sacramento needs a homegrown music festival, this type of event isn’t easy to produce, and doesn’t always get the financial backing it needs.
As the sun rises on Mill Street in Grass Valley, Erica Henderson starts the opening routine in her new store Gather & Mill. She rolls out a decorative bicycle and sets up sandwich boards indicating to customers that they are welcome. The sounds of Amos Lee drift through the space as she slips kaftan-style dresses on hangers. When everything is perfectly in place, she opens the coral-colored French doors.
There was a moment leading up to 2013 when it looked as though the record store would join the dodo on the extinction list. Record sales were plummeting due to rampant pirating, digital sales became the primary metric and the major labels were scrambling to shut down the piracy, while appealing to the modern user. Then, reports began circulating that vinyl sales were up.
Comstock’s reached out to Lennee Eller, interim director of the Sacramento Metropolitan Arts Commission, for her advice on how artists can improve their chances of success. Here’s what she had to say.
Believe it or not, it’s possible to make a living as an artist in Sacramento. All it takes, according to those who’ve succeeded, is a base of communication, community, willingness to treat your work as a business and a good share of bull-headed persistence.
Amal Iqbal has years of experience with struggling to understand how work plays into her identity as a Muslim-American woman, and challenging cultural expectations when necessary. This experience informed her decision to launch her own business that incorporates fashion, interior and graphic design into one shop.
In 1986, the B Street Theatre opened as a simple touring theater for children. Since then, it has grown to be one of the West Coast’s premier children’s theaters, producing 19 shows per year and serving 300,000 people annually. But the two-theater playhouse had outgrown its original space and sought options.